Studio Sale
February 27 – March 6
A selection of 15 works from 2018–2025.
Whenever I begin something new, I feel the need to make space.
This sale includes 15 works (orginal as well as art prints) created over the past few years. Some were experiments. Some were turning points. A few have lived with me for a long time.
They are ready to leave the studio.
All works are one-of-a-kind and available until March 6 or until sold.
Scroll to see ⬇️
Original artworks:
I painted The Lioness at the end of 2021, when I had zero interest in holding back.
The name comes from a Songs: Ohia track. There’s this line that just stuck with me:
"Want to feel my heart break if it must break in your jaws
Want you to lick my blood off your paws."
It’s harsh, yeah, but there’s something weirdly gentle about it too. It’s about love that doesn’t come with a safety net.
That’s the headspace I was in when I made this. The surface is rough, almost stubborn. I pushed the oil paint around, scraping, layering, messing it up, then fixing it-leaving behind marks that look a bit like scars. Some spots, the red feels raw, almost wounded. Once, someone told me the painting reminded them of scar tissue, and honestly, I get that.
To me, it feels like standing way too close to a living, pounding heart-close enough that it’s uncomfortable. The reds are always shifting. Sometimes they’re deep, like old wine; sometimes they’re fresh and sharp, almost bloody. The texture changes with the light, showing little depths you’ll never catch in a photo.
It’s not just a red painting you hang up to look pretty. It’s physical. It takes up space. It’s intense, and it doesn’t care if that’s too much. This one’s for someone who actually wants to feel something strong every time they walk past their wall.
Artwork Details
Original artwork
Oil on canvas
60 x 80 cm
Created in 2021
Signed by the artist
Ready to hang
This is the original paper collage from 2018.
Long before prints, editions and shop listings, this piece existed as cut paper on my table. Hand assembled. Layer by layer.
The print version became one of the popular works in my shop. But this is the source. The physical collage that carries the edges, textures and slight irregularities of hand-cut paper.
It belongs to an earlier chapter of my practice. Bold colour. Graphic shapes. A certain clarity of line that feels almost poster-like, but still intimate.
The translucent pink paper softens the geometry. The purple background grounds it. The face remains calm, self-contained, slightly distant.
There is something unapologetically feminine about it. Clean, strong, composed.
Owning the original means holding the beginning of a work that resonated with many others.
It is not a reproduction. It is the first.
Artwork Details
• Original paper collage
• 30×42cm
• Mixed media on paper
• Created in 2018
• Unique piece
• Signed by the artist
• Unframed
The Jest is not flat.
The canvas is intentionally draped and fixed in place, so the surface folds and holds light differently across its body. It carries dimension. Shadow becomes part of the composition.
Paint alone would not have been enough here. I worked with pastels, acrylic and oil sticks, allowing colour to settle into the creases and catch along the raised edges. The blues dominate, but they are not uniform. They move from deep, almost aquatic tones to pale, airy washes. Neon orange and sharp white gestures interrupt the calm.
There is something playful about this piece, but it is not naive. The folds suggest fabric, but also terrain. It feels both soft and structured.
This work sits somewhere between painting and object. It changes subtly depending on where you stand and how light hits it.
Framed and ready to hang, it carries presence without heaviness.
For someone who appreciates materiality. Someone who likes when a painting does not pretend to be only a window, but admits it is a thing in the room.
Artwork Details
• Original artwork
• Mixed media on draped canvas
• Pastels, acrylic and oil sticks
• 40 x 60 cm
• Created in 2023
• Framed
• Ready to hang
• Signed by the artist
Back in 2020, I grabbed a box of crayons for the first time since I was a kid. Honestly, I always thought crayons were for kitchen tables and school days—not for anyone who called themselves a “real artist.” Turns out, I was way off. I owe that revelation to a piece called Magnolia.
I’ve always had a soft spot for magnolias. Maybe they’re not officially special, but they feel regal to me—quiet, gentle, and somehow proud. Whenever I spot one on a walk, I have to stop and just look.
Right now, this is the only original crayon drawing in my shop. You can feel the texture of the paper, the slight unevenness where I pressed a little harder or lighter. There’s a quiet honesty—me, figuring something out all over again. It’s a small piece, intimate. The kind of art you live alongside, not just look at.
Artwork Details
Original artwork
Crayon on paper
26 x 29.6 cm
Created in 2020
Signed by the artist
Ships carefully packaged, unframed
Piano Fire is about rhythm more than image.
When I painted this in 2022, I was thinking in layers and tempo.
The red dominates, but it is not flat. It moves from deep, almost velvety crimson to translucent stains that allow light to pass through. Yellow and violet flicker in and out.
This painting feels alive. Not heavy like The Lioness, not contemplative like Reliable Narrator. It has momentum.
There is a physicality to the mixed media surface. Areas of transparency sit next to thicker gestures. Splashes remain visible. The process is not hidden.
It is a work that brings energy into a space. It does not sit quietly in the background.
For someone who responds to colour instinctively. Someone who likes art that feels immediate and unapologetic.
Artwork Details
• Original artwork
• Mixed media on canvas
• 60 x 80 cm
• Created in 2022
• Signed by the artist
• Ready to hang
I made this piece during a time when I decided to just mess around and see what happened.
Back in 2021, I was working with a mentor, and I just let myself go for it. I stopped worrying about making everything make sense. Instead, I started to notice what actually pulled me in. Geometry, of all things, caught me off guard.
That ultramarine brushstroke? It’s bold and physical, thick. Then there’s the sphere and that sharp yellow shape—they kind of push against each other. Softness up against something sharp. Weight versus precision. The whole thing’s got a structure, but it doesn’t feel stiff. It’s emotional. The quiet tension that happens when colors interact. I used crayon, watercolor, and acrylic on paper.
This piece is for anyone who likes a little self-control, but still wants something that hits hard.
Artwork Details
Original artwork
Mixed media on paper (crayon, watercolour, acrylic)
30 x 40 cm
Created in 2021
Signed by the artist
Ships unframed, carefully protected
I began it earlier, then stepped away. It sat unresolved for a while. When I returned to it in 2025, it became the first piece I completed that year. It carries that feeling of hesitation and return.
While working on it, I kept imagining waves crashing against heated soil. Cold salt water meeting something sunburnt and dry.
The deep greens gather like a moving body of water. Dense, layered, almost tidal. The red along the edge feels exposed, raw, heated from within. Where they meet, there is disruption. Drips, splashes, mineral textures.
It feels geological. Not decorative. As if something is shifting slowly beneath the surface.
It is about pressure meeting resistance. About returning to something unfinished and allowing it to resolve on its own terms.
For someone drawn to darker palettes. Someone who understands that beauty can be heavy and still magnetic.
Artwork Details
• Original artwork
• Mixed media on canvas
• 50 x 70 cm
• Completed in 2025
• Signed by the artist
• Ready to hang
In 2024 I finally did something I had been curious about for years. I tried lithography.
For a long time I could not quite understand how it worked. Drawing on stone, the reversal, the pressure, the transfer. It seemed technical and mysterious at the same time.
During the workshop I created this Woman. She is seated, self-contained, neither performing nor apologising.
Lithography has a different kind of presence than drawing. The ink sits in the paper in its own way. The blacks are velvety. The texture feels grounded and tactile.
This edition is limited to 12 copies. Each one is part of that first encounter with the medium. A small milestone for me.
Printed on cotton paper. Intimate in scale. Meant to be seen up close.
And yes, the paper is cut straight.
Artwork Details
• Limited edition lithography
• Edition of 12
• 25 x 35 cm
• Printed on cotton paper
• Created in 2024
• Signed and numbered by the artist
• Unframed
Reliable Narrator 3 is part of a series that digs into how we tell stories about ourselves—how sure we sound, even as our stories keep changing. This piece has layers, just like memory.
Deep ultramarine pools in the center, heavy and impossible to ignore. Around it, softer washes of pink, pale yellow, and diluted blue leave room for things you can’t quite name. There’s movement, but it doesn’t spill over. Emotions run through it, but nothing feels frantic.
At first, the darker shapes almost look like figures. Then they slip back into abstraction. You find yourself looking again, and again.
The painting comes already framed in natural wood. You can hang it up the second it arrives- it’s ready to live with you.
This one feels thoughtful. Calm. Grounded. It’s made for someone who sees depth, even when it whispers.
Artwork Details
• Original artwork
• Mixed media on canvas
• 50 x 70 cm
• Created in 2022
• Framed in natural wood
• Ready to hang
• Signed by the artist
Studio Sale ✨February 27 – March 6 —
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Studio Sale ✨February 27 – March 6 — 〰️
Fine art prints:
This is a very high quality fine art print of my original oil painting The Grapefruit, painted in two summers 2021-22
The print is not framed, will be signed below the image and signed and dated in the backside.
Available sizes (approximate):
8x10"/20x30cm
11.7x16.5"/30x40cm
15.7x23.6"/40x60cm
20x27.5"/50x70cm (see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
“A flower blossoms for its own joy.” ― Oscar Wilde
The print is not framed, will be signed below the image and signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm
(see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
“A flower blossoms for its own joy.” ― Oscar Wilde
The illustration seems to be very delicate, but actually it's bursting with colour. It's a very poetic picture, that reminds me of carefree staring into the sun.
The print is not framed, will be signed below the image and signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm
(see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
Welcome to my imaginary garden. You will feel good, pleasure is the highest good here.
If you'd like to read about my inspiration, read this post-click.
This is a fine art print of my original illustration.
The print is not framed, will be signed below the image and signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm (see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
Welcome to my imaginary garden. You will feel good, pleasure is the highest good here.
If you'd like to read about my inspiration, read this post-click.
This is a fine art print of my original illustration.
The print is not framed, will be signed below the image and signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm (see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
Peace can become a lens through which you see the world. Be it. Live it. Radiate it out. Peace is an inside job.
—Wayne Dyer
This is a very poetic and dreamy illustration. Thanks to the pastel colours it is not flashy, but it raises your spirits and calms you down. The minimalist shapes make it look very elegant. Look at these wonderful textures too! It is an ideal proposal for those who appreciate peace and quiet. This print is a breath of fresh air in your interior.
The print is not framed, will be signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm
15.7x23.6"/40x60cm
20x27.5"/50x70cm
(see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
This is a fine art print of my original illustration.
The print is not framed, will be signed below the image and signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm
15.7x23.6"/40x60cm
20x27.5"/50x70cm
(see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
“If I could, I would kiss your voice.”
― André Aciman
The print is not framed, will be signed and dated in the backside.
Available sizes (approximate):
8x10"/21x30cm
11.7x16.5"/30x42cm
15.7x23.6"/40x60cm
20x27.5"/50x70cm
(see size chart to choose the best one for you)
FRAMING: The art prints are unframed. They have standard dimensions, so you could find easily ready to hanging frames or to be creative with custom framing.
Shipping & Details:
• All works ship from Berlin, Germany
• Carefully packed with protective materials
• Dispatch within 10 business days
• Framed works are ready to hang
• Questions? Contact me at hello@izabuleczka.com
I’m glad you’re here.